RAL 3020 Traffic Red — Hex, RGB, LRV, and Best US Paint Matches
RAL 3020 Traffic Red hex #CC0605 · LRV 11. Closest matches at Sherwin-Williams, Benjamin Moore, Behr, and Valspar.
Color spec
| Hex | #CC0605 |
| RGB | 204, 6, 5 |
| LRV | ~11 |
| RAL Classic | RAL 3020 |
Also known as / near matches
RAL 3020, known as Traffic Red, is a distinct, highly saturated red, often associated with safety signage and high-visibility applications. Its name directly translates to its primary function in many European contexts, where it’s a standard for traffic signs and vehicles. While not typically confused with many near-neighbor RAL codes due to its pure, almost primary red identity, it sits quite distinctly from the deeper, more maroon-leaning reds like RAL 3003 Ruby Red or the brighter, more orange-tinged RAL 2002 Vermilion. Finding an exact Pantone equivalent can be challenging, as its specific chroma and value are quite precise.
What it looks like in real life
This is a red that makes a clear statement, never quietly receding. In a north-facing room, Traffic Red retains its fiery intensity, perhaps reading with a slight, almost imperceptible blue edge that grounds its warmth, preventing it from becoming too glaring. Introduce it to a south-facing room, and the abundant warm light amplifies its inherent heat, creating a pulsating, energetic field that feels incredibly enveloping and vibrant. In the late afternoon, as the light softens and deepens, Traffic Red transforms into a velvety, luxurious hue, holding the last vestiges of the day’s warmth.
Closest matches at US paint brands
Closest matches at US paint brands
| Color | Brand | Name | SKU | LRV | Buy |
|---|---|---|---|---|---|
| Kompozit | Party Time | 1109 | 15 | — | |
| Benjamin Moore | Million Dollar Red | 2003-10 | 8 | — | |
| Farrow & Ball | Charlotte's Locks | No. 268 | 12 | — | |
| Sherwin-Williams | Real Red | SW 6868 | 9 | — | |
| Valspar | Tomato Bisque | 1011-1 | 9 | — | |
| Behr | Ladybug Red | S-G-180 | 8 | — | |
| Backdrop | Bahaus | BD-BH | 8 | — | |
| Dunn-Edwards | Cabaret | DEA152 | 7 | — | |
| Clare | Bowie | Clare 21 | 8 | — | |
| Magnolia Home | Painted Peony | JG-115 | 9 | — | |
| Pratt & Lambert | Adobe | 19-4 | 16 | — | |
| PPG / Glidden | Glidden Heritage Red | GLR-9 | 5 | — |
With an LRV of 11, Traffic Red is demanding of light, absorbing rather than reflecting, creating a rich, immersive experience. It doesn’t forgive insufficient illumination, deepening considerably in shadowed corners, yet its pure pigment prevents it from feeling muddy. This color doesn’t just sit against a surface; it drapes it, creating a visual weight that feels both assertive and deeply comforting, particularly when paired with natural wood tones or crisp whites.
When to use this color
Great for:
- It shines as a bold accent wall in a minimalist living space, providing an anchoring point of energy.
- This color is perfect for a dramatic powder room, where its intensity can create a jewel-box effect.
- Consider it for a front door in a traditional home, offering a classic welcome with an energetic twist.
Tricky in:
- Traffic Red can feel overwhelming and absorb too much light in small rooms with minimal natural light.
- It may appear too stark or aggressive on large, unbroken wall expanses in modern, sparsely furnished interiors.
Pairs well with
Pairs well with
Painting tips
- Primer: For this deep, saturated color with an LRV of 11, a tinted gray primer is essential to ensure true color payoff and reduce the number of coats needed.
- Sheen: A matte or flat sheen on walls will allow this deeply saturated red to absorb light beautifully and feel luxurious, while a satin sheen works well for cabinetry or high-traffic areas.
- Coats: Due to its deep saturation and low LRV, expect to apply at least three coats of Traffic Red over a properly tinted primer for full, even coverage.
- Application: As a deep color, Traffic Red will show brush strokes or roller marks more readily under raking light, so precise application with a high-quality roller or sprayer is recommended for a seamless finish.